- VSTI MIDI JAM MASCHINE JAM UPDATE
- VSTI MIDI JAM MASCHINE JAM FULL
- VSTI MIDI JAM MASCHINE JAM SOFTWARE
Unlike Ableton’s Push, the pads on Jam do not offer velocity or after-touch response, effectively functioning as simple click switches. Stutter, Ring Mod, Filter, Flanger are all available, and designed for immediate real-time interaction with the Smart Strips.
VSTI MIDI JAM MASCHINE JAM SOFTWARE
Furthermore, a DJ-mixer-style multi-effect called Performer has been added to the Maschine 2.5 software just for Jam. Smart Strips allow Macro value tweaking (assigned to parameters within sounds), adjustment of sends to auxiliary effects, per-part tune/swing settings, and alternative techniques for playing melodic parts from the strips (strums, chords, etc). While not only providing a means for rapidly balancing Group levels and a meter bridge in hardware (a first for Maschine users), numerous additional functions are on offer depending on the mode selected. Cosmetically, it’s obvious these have been borrowed from NI’s S-series MIDI keyboards and they share similar performance concepts. It does cover a surprisingly wide gamut of Maschine’s interactivity, albeit with a reliance on the host computer’s screen. Conveniently though, when invoking functions that would traditionally call on Maschine’s displays, a ‘heads up’ on-screen display conveniently floats above all other windows, vanishing once a command or selection has been completed.Īlong the bottom edge of Jam, you’ll find an array of dual-touch Smart Strips, each flanked by bar graph LEDs to indicate their current value. Unlike its predecessors, Jam lacks on-board displays. The master meter can also display the level of incoming audio and the output of the preview bus. It has hardware level metering of the master bus (and ‘clip’ indicator) and convenient access to Group levels via its touch strip-based mixer. As a long-term Maschine user, I welcome the master meter’s inclusion since I’ve always found it very easy to inadvertently clip the master bus unless I’m staring at Maschine’s onscreen GUI. Jam provides a couple of conveniences previously exclusive to the full-monty (expensive) flagship controller, Maschine Studio.
Naturally, there’s some doubling up of controls when using two units, but that will only be an advantage for the super-dexterous, Maschine-centric performer. Before Jam came along, users would have to flip in and out of step mode to edit sounds. For example, you might edit the parameters of a Sound using a regular Maschine controller, while simultaneously step sequencing the same sound on Jam.
VSTI MIDI JAM MASCHINE JAM UPDATE
In tandem with a traditional Maschine controller, the two devices lock step - when changing focus to different Groups and Sounds on one controller, the other will update its status to reflect those actions. Inside the packaging is a small bracket that attaches to the underside of the unit and elevates Jam’s profile so it’s flush alongside a Maschine or Maschine Micro controller.
VSTI MIDI JAM MASCHINE JAM FULL
It also comes with a full license for Maschine 2.5 and Komplete 11 Selection, making it a potential foundation product for new users to the platform.įor owners of the traditional MPC-styled Maschine family, Jam will be a natural extension. Opposite to Live’s Session view, Maschine’s Scenes are presented in columns rather than rows, consistent with the existing paradigm of Maschine. Its click-pad grid also provides rapid interaction with Maschine’s Scenes - at a glance, you can see which Patterns are active within each Group.
With Jam, Maschine users now have an 8×8 grid of ‘click pads’ for a much improved step sequencing experience that can double as a means for playing melodic parts. Maschine Jam (I’ll refer to it as ‘Jam’ henceforth) is the newest iteration of this lineage, and it addresses an alternative approach to the original MPC-inspired Maschine concept, one which will be familiar to users of Push/APC/Launchpad with Ableton’s Live. Thanks to its 4×4 grid of super-sensitive drum-pads and built-in graphic displays, it offered the same hands-on approach to composition and performance enjoyed by Akai MPC users without being shackled to a preset amount of hardware processing power. When Maschine was originally released back in 2008, it was a game changer without peer the first virtual instrument to successfully integrate a dedicated control surface while retaining the benefit of using your computer as its ‘brain’.
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